Skip to content

Restore Old Photos and Noisy High-ISO RAW Files with Aiarty Image Enhancer (2026 Update)

Restore Old Photos and Noisy High-ISO RAW Files with Aiarty Image Enhancer (2026 Update)If you have older RAW files, scanned film photos, or high-ISO images in your archive, you may have noticed they don’t always look their best on today’s high-resolution displays or large prints.

Recent AI tools are making it easier to restore these images while preserving natural detail. The latest update of Aiarty Image Enhancer introduces several improvements designed to recover detail, improve color depth, and streamline the enhancement workflow.

Another practical aspect is that Aiarty runs entirely locally on your computer without requiring cloud uploads. After downloading the AI models, you can even disconnect from the internet and continue using the software normally, which may be reassuring when working with private photo libraries.

The update is free for existing users, while new users can currently access a discounted lifetime license (49% off) for both PC and Mac, including free future updates.

Visual effects artist and landscape photographer Hamed Bank recently tested Aiarty Image Enhancer and shared this feedback:

“This AI photo enhancer is an excellent tool for anyone looking to increase image resolution in their digital workflow.”

 

Read more

Canon EOS R10 is still the best seller at BCNranking

Here is the January Best Seller list from BCN:

Best selling system camera in Japan:

  1. EOS R10 RF-S18-150 IS STM
  2. VLOGCAM ZV-E10 II
  3. EOS R50
  4. VLOGCAM ZV-E10
  5. α7 V
  6. VLOGCAM ZV-E10 II
  7. EOS R50
  8. VLOGCAM ZV-E10
  9. Z50II
  10. OLYMPUS PEN E-P7 14-42mm EZ
  11. FUJIFILM X-M5 XC15-45mm
  12. FUJIFILM X-T30 III XC13-33mm
  13. VLOGCAM ZV-E10
  14. α6400
  15. α6400
  16. EOS R50 RF-S18-45 IS STM
  17. Z 30
  18. FUJIFILM X-T30 III XC13-33mm
  19. VLOGCAM ZV-E10 II
  20. Z fc 16-50 VR

Best selling fixed lens camera in Japan:

  1. KODAK PIXPRO FZ55
  2. KODAK PIXPRO C1
  3. KODAK PIXPRO C1
  4. PowerShot SX740 HS
  5. PowerShot SX740 HS
  6. OM SYSTEM Tough TG-7
  7. instax mini Evo Black
  8. IXY 650
  9. OM SYSTEM Tough TG-7
  10. LUMIX TZ99
  11. KODAK PIXPRO WPZ2
  12. IXY 650
  13. KODAK PIXPRO FZ45
  14. instax mini Evo Brown
  15. instax mini Evo Cinema
  16. KODAK PIXPRO FZ55
  17. KC-AF11 BK
  18. PENTAX WG-1000
  19. VLOGCAM ZV-1F
  20. instax mini Evo GENTLE ROSE

Canon’s Wildest Ideas at CP+ 2026: Retro Concepts, Star-Piercing Lenses, and 30 Years of PowerShot

Here is a quick translated summary of a Canon interview posted on Weibo:

Canon’s Wildest Ideas at CP+ 2026: Retro Concepts, Star-Piercing Lenses, and 30 Years of PowerShot

At this year’s CP+ 2026, Canon decided to skip the standard new camera body announcements. Instead, they dropped three massive, unexpected bombshells during closed-door interviews that perfectly answer one burning question: In the era of AI and smartphone computational photography, why do we still need dedicated cameras?

Canon’s answer? Experience.

Here is the ultimate breakdown of Canon’s three “Trump Cards” from the Yokohama exhibition:

1. The “Awai” Concept Camera: The Ultimate Anti-Smartphone 

If you’re tired of the “instant sharing” culture, Canon has built your dream camera (well, a prototype at least).

Looking like a vintage twin-lens reflex from the last century, this waist-level viewfinder camera forces you to slow down. You look down into a screen to see the optical image, manually focus, and capture the shot.

The Vibe: Inspired by the Japanese word “awai” (the boundary between light and shadow), it’s designed to let digital-native generations see real light through a viewfinder, not just a processed screen.

The Tech: It uses the guts of an EOS SLR (combining a 35mm full-frame lens with a reflex mirror) paired with an innovative upper screen.

The Result: Photos have a film-like texture and uncertainty. Canon is actively embracing the “beauty of imperfection.”

Will it launch? Maybe! Canon is watching user feedback closely. If we make enough noise, it could hit the shelves.

2. The RF 14mm F1.4 L VCM: A Lens That “Pokes the Stars” 

Astrophotographers, it’s time to celebrate. Canon’s new RF 14mm F1.4 L VCM is a masterclass in optical engineering, specifically designed to solve the biggest headaches of shooting the night sky.

Zero Coma: Stars at the edge of your frame will no longer look like stretched-out blobs. The lens keeps stars looking like precise pinpricks from the center all the way to the corners.

Tiny but Mighty: Thanks to “system-level collaboration” (letting the camera body handle distortion correction), Canon made this ultra-wide, ultra-fast lens incredibly lightweight—perfect for hiking up mountains in the dark.

Bonus Flex: Canon also introduced the RF 7-14mm F2.8-3.5 L FISHEYE STM, boasting the world’s first 190° angle of view with autofocus.

3. 30 Years of PowerShot: Why Gen Z Loves Compacts 

To celebrate 30 years of the PowerShot, Canon is releasing a limited edition of the wildly popular G7 X Mark III. But the real story here is Canon’s brilliant take on why compact cameras are having a massive renaissance.

Not Just Nostalgia: Gen Z isn’t buying old CCD cameras because they lack good phone cameras; they’re buying them for active expression. Much like painting with a brush, the noise, color casts, and “flaws” of older cameras have become a highly sought-after aesthetic.

What’s Next? Canon is listening to niche markets. They’re taking notes on the massive demand for long-zoom compact cameras (specifically for concert photography!) and are finding ways to balance new AI features without sacrificing that true “pocketable” compact size.

The Verdict

Canon’s strategy for the future is clear. If smartphones are for recording, cameras are for experiencing. Whether it’s the tactile ritual of a retro concept camera, the flawless optics of a starlight lens, or the expressive freedom of a pocketable PowerShot, Canon is proving that dedicated cameras still have plenty of magic left.

Samyang has officially requested the license to make RF-mount lenses

Phototrend had a chat with Kim Dubin, head of product planning at Samyang. And there is an interesting tidbit regarding their RF mount strategy:

As for a potential move to Canon RF and Nikon Z mounts, the lens maker is still waiting for official licenses from the Japanese manufacturers. But, interestingly enough, the latest AF 24-60 mm f/2.8 would already be technically easily adaptable to the RF mount, thanks to a shorter mechanical flange distance in the lens design.

Back To Top