EOS R7 Mk2 will be released before June this year?

Weibo Image

According to the FCC certification letter for Canon’s new camera announced on December 17th last year, there is reason to believe that the EOS R7 Mk2 will be released before June this year. This is because the FCC certification is only confidential for 180 days. The specifications mentioned in the certification, such as the LP-E6P battery and the CFexpress+SD dual card slots, all point to the R7 Mk2.

Weibo Image

Source: Weibo

Coming soon…limited edition PowerShot G7 X Mark III ?

A new report suggests Canon is preparing a limited-edition version of its PowerShot G7 X Mark III compact camera. Specifics are still unclear—there’s no confirmed design theme, colorway, quantity, pricing, or release timing—so treat this as an unconfirmed rumor for now.

If it materializes, expect a cosmetic refresh rather than a hardware overhaul. The G7 X Mark III remains a capable pocket camera with a 20MP 1-inch sensor, a 24–100mm (equiv.) f/1.8–2.8 lens, a flip-up touchscreen, a mic input, and 4K video—features that continue to appeal to travelers and vloggers. A limited run could serve to refresh interest while the long-rumored Mark IV remains unannounced.

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Via: Asobinet and CR

Canon 2026 RF Lens Roadmap by Ordinary Filmmaker

According to OF we will get this:

  • Canon will release four pro lenses in 2026
  • RF 300–600 f/5.6L IS USM is one of the lenses
  • More VCM lenses are coming in 2026 as they have proven to be very popular
  • The VCM line is far form built out, many more lenses are coming
  • The Olympic is the most likely time frame to announce or tease new super telephoto lenses

Most Desired New Lens for 2026: The new Canon RF 35-135mm F2

On Reddit Canon Photographers Outlined the 2026 Lens Wishlist:

  • RF 35–135mm f/2 — frequently mentioned as a dream lens that could challenge the RF 28–70mm f/2 as a top all-around professional zoom.
  • RF 50–150mm f/2 — desired as a slightly more realistic alternative to a 35–135mm f/2, still offering constant f/2 with reduced size and cost.
  • RF 70–150mm f/2 — proposed as a compact, high-performance telephoto zoom to complement fast standard zooms.
  • RF 70–180mm f/2.8 — expected to be lighter and more compact than the current RF 70–200mm f/2.8, appealing to video shooters and travelers.
  • RF 70–200mm f/2.8 (lighter / updated version) — users want a redesigned version with reduced weight and size while retaining optical quality and teleconverter support.
  • RF 24–50mm f/2.8 — requested as a compact, fast standard zoom similar to Sony’s offering, prioritizing portability over extreme range.
  • RF 24–70mm f/4 (compact) — preferred by many over faster lenses due to smaller size, lower weight, and modern high-ISO camera performance.
  • RF 24–105mm f/2.8 — desired for its versatility, constant f/2.8 aperture, and ability to replace multiple lenses in professional kits.
  • RF 15–35mm f/2.8 L — mentioned as a highly desirable ultra-wide zoom for APS-C bodies like the Canon C70.
  • RF 35mm f/1.2 L — considered a major gap in Canon’s RF lineup, especially as a companion to the RF 85mm f/1.2 L.
  • RF 50mm f/1.2 — repeatedly referenced as a cornerstone fast prime that many users plan to own or already rely on.
  • RF 85mm f/1.2 — often paired with the desire for a matching RF 35mm f/1.2 to form a premium prime duo.
  • RF 35mm f/1.4 (Canon or Sigma) — requested as a more affordable, smaller alternative to an f/1.2 lens, especially if Sigma gains RF access.
  • RF Sigma 14mm f/1.8 — strongly requested if Canon opens the RF mount to third-party manufacturers, filling a unique ultra-wide fast-prime niche.
  • RF 300–600mm f/4–5.6 L — anticipated as a long-range wildlife lens positioned between affordable zooms and expensive super-telephoto primes.
  • RF 100–300mm f/2.8 — mentioned as a high-end professional zoom that could replace multiple telephoto primes.
  • RF 100–400mm (updated / improved version) — users want a modernized version with better optics and features while remaining affordable.
  • RF 400mm f/5.6 (affordable prime) — desired as a lightweight, reasonably priced telephoto prime similar in spirit to older EF designs.
  • RF Fisheye lens(prime or zoom) — requested as a native RF option, either as a dedicated prime or an RF version of the 8–15mm zoom.
  • RF-S 22mm f/2 (ported from EF-M) — users hope Canon will revive popular EF-M compact primes for the RF-S system.
  • RF-S 32mm f/1.4 (ported from EF-M) — highly regarded EF-M lens that many want reborn for APS-C RF cameras.
  • RF 35–150mm f/2.8–4 or f/2–2.8 — desired as a versatile medium-telephoto zoom similar to Tamron’s popular designs.
  • RF 100–500mm (lighter / cheaper variant) — interest in a more affordable or lighter version to bridge the gap between consumer zooms and super-telephoto lenses.

The suggested RF 35-135mm F2 is viewed as a potential favorite that could challenge the RF 28-70mm F2 for the user’s top spot.

Canon EOS R3 Mark II rumor: possible development announcement in early February?

Canon EOS R3 Mark II mirrorless camera (rumored)
Rumored Canon EOS R3 Mark II. Image for illustration only.

A new, unverified rumor suggests Canon could tease the EOS R3 Mark II with a development announcement in the first week of February, reportedly to minimize leaks during potential field testing around the Olympics. Nothing is confirmed, and details remain sparse.

EOS R3 Mark II specifications (rumored)

  • New full‑frame sensor around 50 MP (final resolution TBD)
  • Sensor architecture (BSI/stacked) unconfirmed
  • Positioning described as “multimedia focused”
  • EOS R1 expected to remain the flagship sports body
Canon executives have previously signaled limited interest in high‑resolution versions of the Canon R1 and Canon R3 lines, but market dynamics evolve. With strong competition from cameras like the Sony A1 II and Nikon Z9, it wouldn’t be surprising to see Canon introduce a higher‑resolution, high‑end body aimed at hybrid creators.

As with any early rumor, treat the details with caution. Even if this specific claim doesn’t pan out, a high‑resolution, high‑end Canon camera seems plausible in the near term.

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via Weibo via CR

Rumored new Canon EOS R7 Mark II and a 40MP leap for CP+

Circle CP+ on your calendar. Canon could roll out new APS-C bodies in the first half of 2026, and the star of the show is very likely the EOS R7 Mark II. Timing lines up neatly with the end of February CP+ show in Yokohama.

Headline rumor: Canon is testing an APS-C sensor around 40MP that can feed up to 8K/60p video. If true, that would give Canon the highest-spec APS-C video pipeline on the market and match (or surpass) Fujifilm’s current 40MP BSI lead on the stills side.

Does 40MP for an R7 II make sense? Absolutely. The original R7 sits at 32.5MP—jumping to ~40MP is only about a 15% bump in linear resolution, but the “40” badge plays great on a box and unlocks meaningful benefits for both detail and video oversampling. Most importantly, it finally gives Canon a chance to debut a BSI and/or stacked APS-C sensor. If this is the flagship crop sensor that has to carry Canon’s APS-C line for the next 4–5 years, it needs modern silicon. Full stop.

Why this sensor matters: BSI and stacked aren’t “nice-to-haves” anymore

On full frame, Canon users can climb the stacked ladder with the R5 II, R3 and R1. On APS-C, the R7 II will be the top rung—there’s nothing above it. That’s exactly why this sensor has to be the one that resets the bar.

  • BSI benefits: Better light gathering per pixel, cleaner high ISO, and improved dynamic range—especially important as pixel pitch shrinks moving to ~40MP on APS-C.
  • Stacked benefits: Much faster readout to tame rolling shutter, higher burst rates with blackout-free EVF, snappier AF calculations, and the data throughput you need for serious video modes.

Quick math check: a ~40MP Canon APS-C would be roughly 7728 pixels across. That’s just enough horizontal resolution to deliver true 8K UHD (7680 wide) without cropping. Translation: if the processor and heat management are up to it, full-width 8K becomes real.

8K/60p on APS-C: what it would take (and what it would unlock)

  • Processor and codecs: Expect a next-gen DIGIC with beefy HEVC/All-I options and 10-bit 4:2:2 across the board. 8K/60 is a bandwidth monster.
  • Media: CFexpress Type B is essentially mandatory for high-bit-rate 8K. A companion UHS-II slot keeps things flexible.
  • Thermals: Bigger heatpipe, smarter firmware limits, and perhaps a more breathable chassis. Nobody wants an 8K camera that’s actually a 5-minute camera.
  • Oversampling goodness: 8K source resolution means pristine 4K oversampled video, potentially at 4K/120 without a heavy crop if readout speed cooperates.
  • Rolling shutter: A stacked design could get us into the ~10–12 ms territory (or better) for stills and video. Wildlife panning and fast action thank you in advance.

How this stacks up against rivals

Fujifilm currently owns the APS-C resolution crown with its 40MP BSI sensor and 8K/30p capability. Sony’s latest a6xxx bodies favor speed and AF sophistication over headline resolution. If Canon truly ships 40MP with 8K/60p, it leapfrogs everyone on the spec sheet and puts pressure on both Fuji and Sony to answer with faster readouts or higher frame-rate 8K.

What I’m watching for on the spec sheet

  • Sensor tech: “BSI” is the floor. If we see “stacked,” that’s the headline.
  • Video modes: 8K/60p, robust 4K/120p, internal 10-bit 4:2:2, and reasonable crops. Add reliable heat performance.
  • Media and I/O: CFexpress Type B + UHS-II, full-size HDMI, USB-C with fast PD and data.
  • Autofocus: Next-gen subject detection (birds, vehicles, people), smarter tracking through clutter, pre-burst capture.
  • Stabilization: Better coordinated IBIS+IS behavior for long telephoto work; tighter micro-jitter control for video.
  • Burst and buffer: If stacked, think 30–40 fps e-shutter with deep raw buffers and minimal viewfinder blackout.
  • Viewfinder and LCD: Higher-res EVF, faster refresh, and a brighter rear screen you can actually see in midday sun.
  • Connectivity: Wi‑Fi 6/6E would be a welcome surprise for faster file pushes and more reliable remote work.

RF-S lens reality check (and a wish list)

All this resolution needs glass to match. The RF-S lineup has good mainstream zooms, but a flagship APS-C body begs for faster, sharper options. Canon has loosened the door a bit for third parties on APS-C, which helps, but a native Canon trio would make this body sing:

The good news: high-res crops pair beautifully with existing full-frame RF telephotos. The RF 100–500mm becomes a wildlife scalpel on APS-C.

Price, timing, and where it lands in the lineup

Launch window: before the end of February 2026 feels likely given CP+. The original R7 debuted at a very friendly price; adding BSI/stacked silicon and 8K ambitions could nudge the R7 II higher. If Canon goes stacked, think premium. If it’s BSI-only with smart readout tricks, it could stay closer to current R7 territory. Either way, expect the original R7 to hang around as the value option—or see a price drop if Canon wants to push volume.

Who this camera is for

  • Wildlife and sports shooters who crave “free reach” with pro-grade AF and faster readout.
  • Hybrid creators who want sharp oversampled 4K and credible 8K without carrying full-frame bulk.
  • Travel shooters who prize detail and portability but still want pro handling and IO.

My read on the likely scenarios

  • Conservative: 40MP BSI, much faster readout than R7, full-width 8K/30p, excellent 4K/120p, and big AF/IBIS upgrades.
  • Spicy: 40MP stacked, 8K/60p internal, 30–40 fps e-shutter with deep buffers, blackout-free EVF, and rolling shutter tamed to near non-issue.

Which one would I bet on? The safe money is a very good BSI sensor that still hits the 8K marks (maybe with limits) and delivers a big generational jump in responsiveness. If Canon actually pulls off stacked, we’re talking about the most ambitious APS-C camera they’ve ever shipped—period.

CP+ is coming fast. If Canon wants to make a statement in APS-C, the R7 Mark II is the moment to do it. I’m ready for a bigger splash this time.

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Via CR

Canon plans to re introduce a new “Eye of Sauron” lens!

Image on top shows the epic Canon 200mm f/1.8 EF lens

Canon is going FAST! Asobinet spotted a new patent describing the optical design and specs of three new RF lenses:

  • 150mm F1.4
  • 200mm F1.8
  • 300mm F2

The 200mm f/1.8 would be a remake of the epic EYE of Sauron EF lens! This thirty year old piece of history truly deserves a modern remake 🙂

 

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